I remember him well too. What a great guy, always willing to help and really cared about people and the Avids they used. It's actually nice to see names on this thread. Brings back a lot of good memories the wonderful help I got from some really special people!

I would try opening the files in Resolve and see if there is any discernable difference in how Resolve sees them vs MC. Also you could try the program GSpot to investigate the files. Good luck!

I was not at NAb, but I have to say that from what's been released, MC 2019 looks pretty awesome!

Marianna for head of Avid... no Marianna for Speaker of the House... no Marianna for President of the United States... no Marianna for Leader of the Free World... no Marianna for Ruler of the Planet... YES that should be your job

... and it hasn't been updated since. (Sorry I couldn't resist.)

If only the C200 could record sync'd timecode, it would be pretty much perfect.

Are you using Media Composer or Symphony? And are you seeing only instances of that clip being color corrected or are you seeing the entire timeline being color corrected?

[quote user="Ronald Czarnecki"]... I was signed up for special effects class and their first project was green screen (already took this course). There was Media Composer on the computers. I asked the professor if I could edit on Media Composer he said it's just there to look at but we don't use it. Not all of the professors were able

Older design with two more but slower cores vs newer design with two less but faster cores. There are good arguments to go either way. From the tests I've seen, unless the program is very well optimized to take advantage of multiple cores, the 8700 will be faster.

I can say that the argument for the Quadro card largely has to do with the program using it. FWIU, Maya does take advantage of the advantages that a Quadro card has. Clearly Mysika does too, after reading the OP. But I've never heard of any advantage of using a Quadro in Resolve, Premiere or After Effects. And I've never heard of any image degredation