Isn't [SHIFT]+[CMD]+[G] one way to do it? But maybe I'm just imagining this. Not in front of MC right now.

Have you tried whether the "load last known workspace state" vs. "load last saved workspace state" (Settings > Interface) makes a difference?

What's the G-Tech's file-system?

I usually change values in the audio mixer by hovering the mouse over the fader and using [Shift]+[Mousewheel] to in-/decrease the volume in steps of 1 dB. Whereas without [Shift] the mousewheel only alters the value by +/- 0.1 dB. In MC 2022.7 this still works. A while ago I updated to what then was the most recent version (probably 22.10 or 22.12

By 'additional alpha channels' I mean alpha channels that affect an image as a whole and would appear in the "Channels" palette (in Photoshop: Window > Channels) By 'embedded color profile" I mean color profiles that can be assigned to an image (in Photoshop: Edit > Assign Profile) Unusual modes, profiles or unnoticed

Similar to what MikeyB wrote but without mixdowns, hence with the opportunity to alter and batch re-import the graphics or to make changes to your edit: Assuming your BG is on V1… 1) Edit one of each of the three phases into the timeline (V2) 2) Step inside the first clip 3) Of the two clips (matte on V3, fill on V2) that you see in there, [ALT

Has the particular file worked with Media Composer before? Did you create it from scratch or was it made by someone else? Have you checked - Mode (8/16/32 bit, RGB/CMYK/Lab etc.) - Additional alpha channels (besides layer transparency) - Embedded color profile

Interesting. Same(?) thing here. License displayed as 'active' (20 days reamaining) in avid account but Avid Link calls it inactive and obviously unusable. It had not been used on other computers nor had I deactivated it for any other reasons. Facing an imminent client approval, I had to quickly buy a new license, that otherwise I would not

Doesn't [Shift] +[Cmd]+[=] override the context-sensivity of [Cmd]+[=]? Can't test it just now. But I think that's what I usually do. Obviously without thinking too much about it. xD

The way I know: 1) Make subclips of the slow-motion masterclips. Name them as you usually name them but add something to the name that identifies them as slow motion, e. g. „72 fps“ 2) Edit those subclips into a timeline and batch-throw an appropriate timewarp preset - in your case 300% - on them. Make sure the preset’s algorithm is