well aware of import settings but besides music and sfx - i dont import my own stuff and sometimes we have to pick up where another left off. sometime theirr sequences have 40+ tracks of audio when it could be 20 - i really really dont get it.

i to work with a bunch dual mono people. i dont get it at all. never got a good reason as to why they prefer that way either. its always just....because.

im seeing this to. hot ok, then click in an empty area of the timeline before making the next correction. this has solved it for me.

im seeing this in 2021.12 as well on Monterey.

i think the fact its taking so long to fix what should be pretty simple, is a big tell. this thing is cursed and w/o rewriting the whole thbing - probably will never be a stable tool. i mean, its a title tool for gods sake. youd think this would b the easirst thing to implement ever.

my mixers tell me this all the time because they are lazy! lol the info comes through, just extra work for them i think. at the end of the day i tell them that this is the way i prefer to work and that using gain/cuts/dissolves would slow me down quite a bit and an an extra layer to get in the way of creativity. my bosses support that its my choice

far from ready for primetime - but the titler has come along way in the last couple versions. at least on my system i can make my simple slates and plain non moving black and white full screen temp title cards w/o pulling out my hair and they play in realtime. other than that - its still broken af. adding color - let alone movement, or trying to re

[quote user="camoscato"] [quote user="Mike Catucci"]available only for the Mac apparently[/quote] It's only needed for macOS running Catalina or later. Pre-Catalina macs - and all Windows systems - get the legacy title tool installed automatically with Media Composer. [/quote] wait that legacy pack has the classic title tool

i am seeing this too.

cool, this worked - thanks guys!