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well aware of import settings but besides music and sfx - i dont import my own stuff and sometimes we have to pick up where another left off. sometime theirr sequences have 40+ tracks of audio when it could be 20 - i really really dont get it.
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i to work with a bunch dual mono people. i dont get it at all. never got a good reason as to why they prefer that way either. its always just....because.
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im seeing this to. hot ok, then click in an empty area of the timeline before making the next correction. this has solved it for me.
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im seeing this in 2021.12 as well on Monterey.
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i think the fact its taking so long to fix what should be pretty simple, is a big tell. this thing is cursed and w/o rewriting the whole thbing - probably will never be a stable tool. i mean, its a title tool for gods sake. youd think this would b the easirst thing to implement ever.
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my mixers tell me this all the time because they are lazy! lol the info comes through, just extra work for them i think. at the end of the day i tell them that this is the way i prefer to work and that using gain/cuts/dissolves would slow me down quite a bit and an an extra layer to get in the way of creativity. my bosses support that its my choice
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far from ready for primetime - but the titler has come along way in the last couple versions. at least on my system i can make my simple slates and plain non moving black and white full screen temp title cards w/o pulling out my hair and they play in realtime. other than that - its still broken af. adding color - let alone movement, or trying to re
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[quote user="camoscato"] [quote user="Mike Catucci"]available only for the Mac apparently[/quote] It's only needed for macOS running Catalina or later. Pre-Catalina macs - and all Windows systems - get the legacy title tool installed automatically with Media Composer. [/quote] wait that legacy pack has the classic title tool
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cool, this worked - thanks guys!