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  • DMF, transcode at clip native frame rate

    I've got the DMF working pretty reliably in tests but it won't be much use to me if I can't get it to transcode new clips at their native frame rate. I've tried a bunch of different settings and profiles and while consolidate does seem to respect the original clips frame rate I can't...
    Posted to Avid Media Composer - Mac (Forum) by slickslack on Wed, Feb 6 2019
  • I can not transcode 3RD files to the RED ONE

    Hi, I can not transcode 3RD files to the RED ONE. It links and reads them but does not transcode. I tried to transcode DNXHD LB Y AVID DNXHD 36, and it stops. I have Avid Media Composer 2018.11 and MacOs Sierra. and it gives me this error: Exception: AMAProducerTask :: Execute: AMA Plug-in Unible to...
    Posted to Get Started Fast (Forum) by JulianSalTor on Sat, Dec 15 2018
  • RED/ARRI Workflow for huge project

    Howdy folks! First time poster. I'm scowering the net for workflow advice on how to handle an insane amount of media I have to transcode for a project my company is working on. I've been tasked with said resposibility and I'm struggling with the best way to move forward, so I figured why...
    Posted to Avid Media Composer - Mac (Forum) by secondwindcreative on Thu, Dec 13 2018
  • Re: P2 Media partially Offline (Link to AMA when span over multiple Cards)

    I'm sorry, I assumed that goes without saying. Of course my P2 card media was copied to a hard drive the same day of shooting-- to two different external drives, which were kept in two different locations over the years. When I first imported the media into Avid in 2014, I was using MC7.0.4, and...
    Posted to Avid Media Composer - PC (Forum) by pajarita on Tue, Dec 4 2018
  • Import P2 or Link via Source Browser results in partial file? MC8.6.3

    I started editing on MC7. All P2 imported fine using file/import p2. I upgraded mid-project to MC 8.6.3. When I moved into online editing, I discovered I had to re-import the P2 from the original external drives where it was stored in order to upres it. Linking, and then transcoding to DNX 175, I wound...
    Posted to Avid Media Composer - Mac (Forum) by pajarita on Mon, Nov 26 2018
  • GH5 10bit footage import

    There seems still the issue with 4k 10bit files from GH5. When I import, I get black video. I tried a workaround, first Link the files and after that transcode to DNxHR - works fine. But the files are huge and on larger projects I work with lower resolution first and batchimport the final sequence. But...
    Posted to Get Started Fast (Forum) by Roland W on Sun, Nov 4 2018
  • Mixed FPS Batch Re-Import, need to Upres

    My film had to use archival footage at 29.97 in a 23.98 timeline with motion adaptor effect. I imported all P2 media as opposed to AMA link. Now that I want to upres to DNXHD 175, I found I couldn't decompose or batch re-import due to the mixed rate footage. So I mixed down each 29.97 clip to 23...
    Posted to Avid Media Composer - Mac (Forum) by pajarita on Tue, Sep 11 2018
  • Relink to synced clips for upres

    I am trying to relink my synced clips to the original media for export, but I cannot seem to make that happen. It says it relinks but does not affect the clips. I am working with 2K footage and when I originally transcoded the clips I picked 1/4 raster dimension and DNxHR LB MXF thinking that would make...
    Posted to Avid Media Composer - PC (Forum) by KevinCraig on Sun, Jun 17 2018
  • Red Files look blue after Linking.

    Hello! I just linked footage that was shot on an Epic Dragon; 4K. When I linked the footage I noticed that it looks BLUE! That is right BLUE! I don't know what could have caused this. I opened the source settings inside avid and the footage looks ok, but it still looks blue on the Source monitor...
    Posted to Get Started Fast (Forum) by Joel Baquero on Wed, May 23 2018
  • Autosync to masterclips instead of subclips?

    Hi all. Assisting in Avid for an editor that has requested subclips of synced picture/audio with the production audio to be reduced to 2 tracks (down from 6 total tracks). That subclip has to be able to match frame back to the masterclip (with all original 6 audio tracks synced to the masterclip). DIT...
    Posted to Get Started Fast (Forum) by chfarmer89 on Thu, May 17 2018
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