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  • 2.39:1 preset in Source Settings/FrameFlex/Frame Aspect ratio please!

    I don't understand why this is missing from clip source settings and I have to use custom and type it out every time! Is it a bug or feature omision? Options include 2.33, 2.35, 2.37, and 2.4, but no 2.39 which is DCI standard. What's weirder - it IS available in FrameFlex from the timeline....
  • Frameflex v Resize

    We often work with larger raster size media than needed for mastering, using proxy media for offline and then conforming to camera originals to master at HD or 2K. Am I right in thinking there's no difference between using FramFlex or Resize, since both of them will be rendered from the larger raster...
    Posted to Avid Media Composer - Mac (Forum) by nigelad on Thu, Jan 10 2019
  • Re: Which version did Avid fix Frameflex?

    Thanks! Our scope is shot as 3200 x 1800 on Amira, using 2.39:1 frame guides. Mask Margins as you describe works in an HD project fine, but not when I change the project format to DCI 2K Scope to conform the edit. Then I need to use Frameflex to set the frame aspect ratio to 2.39:1, giving me a centre...
    Posted to Avid Media Composer - Mac (Forum) by nigelad on Fri, Nov 30 2018
  • Which version did Avid fix Frameflex?

    Hi We've just discovered that Frameflex is broken in MC 18.4. There's a thread on the PC side about it here: http://community.avid.com/forums/t/184548.aspx It's criticial to our workflows next term, working with 2.39:1 and 1.85:1 material from Amiras, and if we have to update all 45 clients...
    Posted to Avid Media Composer - Mac (Forum) by nigelad on Wed, Nov 21 2018
  • Autosync Issues

    When I do an autosync of 3 cameras and a seperate audio file, I mark in on of the slate claps, choose autosync with the following options.. Sync by inpoints uncheck "keep audio on clip with video" check "include audio from audio only tracks" Choose A3 to A5 (3 mics i need) Choose...
    Posted to Avid Media Composer - Mac (Forum) by John on Sun, Jun 10 2018
  • Anamorphic to 2.39 in Avid?

    Hi all, Working on a feature that is shooting 2.8k anamorphic on Arri Alexa but wants to master in 2.39. DIT is doing DNxHD 36 transcodes in sliverstack for us in editorial. We've already determined that its not the best workflow for DIT to transcode to 2.39 (issues with Arri metadata, too late to...
    Posted to Media Composer | First Forum (Forum) by chfarmer89 on Mon, May 28 2018
  • Current state of timeline frameflex effects quality...

    Having read Michael Phillips' very interesting 24p article on just what Frameflex is and isn't doing, I'm still fairly unsure (four years later!) about it's abilities and at what point you are actually gaining full resolution pixels and at what point frameflex is simply resizing to 1080...
    Posted to Avid Media Composer - PC (Forum) by ripvanmarlowe on Wed, May 23 2018
  • FrameFlex Problem

    Hello, I have a problem regarding the FrameFlex settings. I'am editing a feature film with a MediaComposer 2018.3. I used to crop all my material with FrameFlex from 16:9 to Scope. Now I'm suddenly not able to do it anymore. Attached you will find a picture of the problem. I can still "strech"...
    Posted to Avid Media Composer - PC (Forum) by JimHerbert on Fri, Mar 16 2018
  • 2.39:1 option in FrameFlex source settings please

    I get fed up having to choose custom and type "2.39:1" as the destination AR in Frameflex source settings all the time. Why give us presets of 2.35, 2.37, 2.40, but not the correct setting for 2K DCI scope DCPs? "Size matches project raster" calls up a custom setting of 2.39:1 automatically...
  • Time for a "Replace Clip" button?

    When working on effects heavy timelines, what slows me down more than anything is how long it takes to replace a clip which has effects associated with it. With many effects I can step in an change the shot (which slows the Avid down in the processes). But with things like Symphony CC effects, Motion...
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