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Hello, not sure if i'm in the right forum but I have a problem importing DSLR files into avid. I have RAW material that was shot with a Canon 70D 640x480 SD .mov's h264 (I attached a picture of the specs) For some reason Avid is bringing down the resolution of the files when being viewed through...
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One of the KNOWN BIG PROBLEMS OF media composer's MULTICAM function is the inability to handle clips with cameras that goes on and off, like commonly happens with DSLRs, GoPros and a big bunch of other recording devices commonly used nowadays. FCPX handles that kind of footage really well, and I...
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I use a Sony wireless direct to my Canon 5Dii and direct manual control sound is good. Auto gain on the 5D is a disaster and I keep it off. My second sound system is with the Tascam DR-60D recorder. See it here http://www.youtube.com/watch?v=_4VPIq0z4OM
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ALL YOU AVID GURUS, This is URENT… I saw Kevin P. McAuliffe's Consolidate/Transcode Lesson 82 on Vimeo which almost made everything clear. Here's the problem I've run into. I gotta project ( Setting ) which is 1080p/23.976 All the M ulti Formatted files are AMA Linked files . The timeline...
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Can I just bring them in as AMA Link files and output the project? I know this sounds silly but, I had to convert them to ProRes to work in FCP7... Do I have to do anything similar in AMC7? I mean, do I have to convert them to ProRes and then bring it in as AMA? I'm using Mac Pro 8 Core / 24GBRAM...
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Hey all, I've transcoded a bunch of t2i MOVs into DNxHD 175X so I can sync them to our sound files and edit online. A lot of the clips are interviews that I would like to marry together as one singular clip. Is it a bad idea to mixdown my sequence of sync'd 175X clips as a long 175X clip? Does...
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Hey All, OK, so I just wrapped a documentary shoot and am prepping my footage to begin editorial. We will be editing in Avid MC 6.5.2 on Macs, swapping between Mac Pro towers and Macbook Pros. For interviews, we shot with two cameras, our A camera was a 5dmIII shooting a closeup and our B cam was a Canon...
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In addition to this screen grab, I have uploaded my Avid Bin including the 5 RTAS FX shown. This is something I always wanted for my personal bag of tricks: a quick way to sub-frame edit audio on the timeline, i.e. edit or sync audio in relation to picture, tighter than 1 frame. Thanks to RTAS, it is...
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I have Nikon's and they create H.264 encoded MOV files which are compressed at a bitrate of 24 or 25 Megabits. It would seem to me that importing at DNxHD 36 would be a high enough resolution to import these files into AVID since its 10 or 11 mbps higher than than the source material. I'm hoping...