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  • "Keep as Legal Range"? or "Scale From Legal to Full Range"?

    Hi, All. I'm doing a conform for a colourist in Media Composer. I have a film, shot partly on Arri Alexa - a combo of ProRes 422 and 4444. I did a video mixdown to ProRes 4444 and want to export a "same as source" quicktime. I've removed all the temp colour corrections and LUTs/color...
    Posted to Avid Media Composer - Mac (Forum) by S.Clements on Wed, Oct 14 2015
  • AvidFX Color Space

    Does AvidFX work in 0-255 color range? My AvidFX composites create levels outside 0-100% What's the correct way to deal with this? There doesn't seem to be a way to force AvidFX to work within a 16-235 range. And I don't want to simply apply a Safe Color Limiter and slice off the excess....
    Posted to Avid Media Composer - Mac (Forum) by N Ryan on Tue, Sep 15 2015
  • ProRes Color Levels RGB/709 inconsistency

    Usually I export DNxHD 185x from Avid and I always use Color Level RGB since i find that is the best way to get it in and out of After Effects, Nuke and Resolve and for compression in Squeeze. But today I was unsure if the producer had any Avid codecs installed on his computer so I exported a Quicktime...
    Posted to Avid Media Composer - Mac (Forum) by rebusfilm on Wed, Oct 8 2014
  • Canon 5D MKII AMA Woes

    Hello, I'm about to begin work on a feature project shot on a Canon 5D MKII. I've imported the first 12 or so reels via AMA, chosen my selects and now want to transcode to a DNxHD res (probably 36 to begin with). However what I'm noticing is that the AMA clips have some seriously crushed...
    Posted to Avid Media Composer - Mac (Forum) by BlueGirl Media on Fri, Sep 17 2010
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