I should mention this is all Avid media - no linked media involved.

Hi all, this is driving me nuts. I'll try and be as detailed as possible: MacPro 2013, 64GB, d700, running 2018.12.15 Ultimate, Boris Continuum 2022.5 Storage is 64TB Promise Pegasus R8 connected by TB2 (averages around 800MB/s read on BM disk speed test). TB cable is on it's own bus and not sharing with anything else. Intel Power Gadget reports

Currently with the TC display open, it displays whichever winidow is in focus. If my record monitor is active then the various timecodes for the timeline are shown. If the source monitor is active it shows me the timecodes for that. I want to be able to have one row read the current timeline tc and one row read the source tc of whatever is in the source

Not sure what the source of your timelines is that is creating these spread out clips but if it is from doing an autosequence on a bin full of clips then you can add the alt (option on mac) modifier to have autosequence create a compacted sequence without the timecode gaps. Probably not what you need but it's an option that's a bit hidden. Andi

[quote user="camoscato"] [quote user="Pat Horridge"] This maybe me being daft. But rather than writing code, testing on users, adapting the UX, modifying the code, and then modifying the UX over and over again. Wouldn't it make sense to define the UX each and every part of it. How the UI reflects that UX. Then write code that

I don't think you can do that in Resolve. It still locks it in the same way Avid does I think. Basically bin locking for the edit page so two editors can't change the same sequence, whoever gets there first has read/write and everyone else has read. However the colour and fusion pages do have clip locking so you can work on a per clip basis

Tried opening a case through the support page - nope, just keeps kicking me back to the start screen, tried the AI bot -useless, no humans available to talk online, UK phone number says it's out of service, I've sent RalphC an email. Can someone suggest some way to contact someone? Ineed to deactivate a license on a dead machine. Thanks, Andi

I would make sure your sequence is in a bin on it's own. Turn on reference clips. Set the timeline to show source colours on clips. Sift your bin to find your music/sfx etc, then colour all the audio clips that you need to document one colour so that they show up in the timeline. You can then right click in the timeline and choose to create a new

I bought one of these and run 2 x HD monitors from the thunderbolt 3 port on my Macbook going Thunderbolt > Caldigit > HDMI x 2. Works a treat although haven't tried with 4k monitors. Andi

This does not bode well... Andi