Also, they should be able to supply you with a copy of the Vidcheck report which will give you the exact frames and exact errors which you can use to pinpoint what's the problem. Sorry for the stream of consciousness, things keep popping up in the ol' noggin. I used to deal with this a lot as the UK have been very hot on PSE for years. Andi

Also, depending on what type of fails you are getting (red flashes are a big one) then lowering the saturation may also help. Don't be surprised if the end result ends up looking total c**p, this is simply the trade off you have to accept when trying to get something to pass. I have seen Die Hard totally butchered in the UK in order to get the muzzle

If you can't slow it down a bit, drop the luminance and add a vignette if possible. Also may help to resize the frame slightly. Use a combination of these and hopefully you should get a pass. Vidcheck is checking for flashes over a certain percentage of the screen, so sometimes enlarging that helps, adding the vignette is also a way to "trick"

I don't understand why this would even occur to anyone to try unless they just want to do it for fun. If you are a working editor or post person there is no reason to ever upgrade to an unqualified OS until it is explicitly supported by Avid. Why take the risk if your livelihood depends on it? If you have a test machine and just want to cut some

Yes, I'm asking for it to play back at normal speed. When grouping clips with loose timecode I do the same thing you describe above. Sometimes I want to watch them both play to get a sense of the movement between the two. That way I can listen to the audio from one clip playing in time with the picture of the other clip without having to put them

Thanks, I use their plugins so this is useful info! Andi

Sounds like a bit of a bug but it would help to know what version you are on and what your system specs are. Over the years I have seen various versions of "Do X Thing and then Weird Y Thing Happens For No Reason" so definitely possible. If the correction is uniform and to be applied to all clips can't you just add it to an upper video

Could this be done in two passes? Perhaps a coloured clip in the bin to show that a portion of this clip has been used in a previous timeline and then once that clip is loaded, a spanned marker showing the area that was used? That way you'd be able to see any full clips that definitely haven't been used and then drill down further into clips

Literally a ten year old request that has been asked multiple times in multiple posts and is still relevant. Way to go Avid! Tell me about those new background colours though... Andi

It would be cool if the per clip gain slider that is accessible from the front of every clip, sort of "floats" along with the level of zoom you have applied to the timeline. Basically so you can permanently see that slider and don't have to zoom back out of a clip to see the front of it. That way when you're in close doing keyframes