I think it just wants you to install a compatible version of iLok Manager.

Hi Marianna, I remember running into Norman at the first time I attended EditFest in LA. He was the personification of what events like that are about: sharing experience, connecting young and experience talent, energizing those people that share the passion for the art and craft. Not just when he was on stage, but equally or perhaps even more during

Purchase an annual renewal for your perpetual license. Avid sells it in their online store (shop.avid.com) for 299 USD. You can easily renew by signing into your Avid Master Account, find your license, and under ‘Plan Options’ select Media Composer Perpetual (one year update and support plan). Or, if you would like to add the Symphony option

Some types of export create a new sequence. I run into this when I export an AAF. I’m not always sure when and why it happens, but it may very well also happen when anything needs to be transcoded or comsolidated for the export. When you say you deleted the .Exported.01 sequence from your bin, that should not cause any problems. When you write

You should see all the audio’s metadata in the bin with synced clips, though. No need to matchframe back to the originally inported sound clip. Not saying it’s ideal now, but also not as complicated as you describe.

You can’t color code individual tracks of a multichannel audio clip, though.

It has been a longstanding feature request, but no. First, the Clip Data in the Timeline is limited to certain data, second, metadata is stored per-clip rather than per-track in multichannel clips. I think some people use some manual workarounds, but those have downsides in some workflows, so beware.

Chiming in: the entire team takes this vote very seriously. They literally told us: if a feature is voted in, we _will_ implement it. Some things may take longer than others, but we will get it done. So please vote, it matters.

With SATA media drives, you should be able to play back DNx220 quite well. Anything 4x4 might require faster drives (so a RAID). For 4K, it would depend on the amount of compression you use.

Here's the Feature Requests Forum: http://community.avid.com/forums/44.aspx I would say that red-segment-select (in stead of mark in/mark out/lift) does what you are looking for. Also, when you mark in and out, the area and the tracks selected are highlighted, so I don't see why you would have to count at all.