[quote user="jcmcnamee"]So this would change me from perpetual to MC Ultimate yearly subscription? [/quote] No, the 299 renewal keeps your current perpetual license under support -- so you get a year worth of upgrades and support. There's no advantage for you to switch to Ultimate, since you already own the perpertual licenses for MC,

Awesome! Figured since you did see the V-sync flips, it must be something like that. Happy editing, Harry!

This may be a stupid suggestion, but the client monitor is enabled in the timeline?

Make sure you see the heading Shoot Date in the bin. Select all clips. Right-click on one of the Shoot Date entries in the bin (empty or not), and from the contextual dropdown menu choos "Set Shoot Date column for selected clips". This allows you to type a single value into the Shoot Date column for all selected clips.

Either open the Media Tool, and set it to display the master clips for that drive. You should find them there. Drag those clips into a bin. Or, place the MXF files you created in a new folder in X:/Avid MediaFiles/MXF/ (e.g. X:/Avid MediaFiles/MXF/99), open MC, create a new bin, then from the finder, drag the msm.db file from that new folder into the

[quote user="pierreh"]Shouldn't the project be on the internal HD of each Mac[/quote]No, not if you want to use true Avid-style project sharing. In the case of true Avid project sharing, the project lives on a NEXIS volume, and multiple clients can work in the same project simultaneously. Whoever opens a bin first will automatically get

Yes, because I don't want to work in a dark room all day. I've considered adding a projection screen (as fellow editors have done), but I never really do screenings in the cutting room, I prefer going to an actual screening room with a Barco/Sony/NEC DCI projector.

[quote user="MikaS"]The point seems to be "progressive".[/quote]P or PsF?

The Marantz has a very simple to use LipSync feature. So I've measured the delay of my OLED screen (using a Sync-One-2 ) and then set the delay for audio (in the Marantz) and source/record monitor (in the Console) accordingly.

I actually don’t route the video through the Marantz because of some weirdness with color space settings when using my SDI -HDMI converter. Used, you can find those Marantz receivers for 400 euros or so. If you prefer passive speakers for ease, I’d recommend trying to find passive pro monitors rather than anything hifi.