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In your setting format tab: switch to an SD project raster to do an OMF export (remember to switch format bac after) Re the AAF export try divide and concur. sub sequence off a small section (try it with a few different parts of the timeline) Try removing tracks and exporting. Basically wittle it down till you get an export that may point to a problematic
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Its unlikely to be sucessful. It aslo depends how the media was ingested. I'd make the correct fps project. ingest the correct source footage. Copy the early selects sequences into this project. Upon opening them they will be converted to new sequences with the 25fps framerate. Now try relinking those sequences to the selected newly ingested clips
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In a 29.97 project you should be able to select 59.94 in the format tab.
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Folks im approaching time to upgrade my Symphony Dongle again and looking back I've just not had the need for it since I last purchased the years support. So its current and has support till Dec 17th 2023. Its a USB dongle and works fine but the green LED fell out years ago but I've never nothered to sort it. If your UK and I know you then happy
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This has been requested for years. Just look to Premiere for its built in oudness radar. Not the best in the world as it only works realtime. But it does at least have it. I teach up and coming students to the UKL broadcast media world and have to point them to premiere to deal with loudness. It should just be in MC and should have been for years.
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Switch the project format to UHD 50fps. re render any renders and then export at that resolution.
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WHat happens if you do a video mixdown of a few seconds before, over the transistion and then after. How does that play? smooth or choppy?
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Managed Avid media is media created by Avid during Import, Transcode, consolidate or render. AMA linked media lives outside the normal managed Avid Media (however a while ago AVid added some management of AMA linked media but this has limits) So with True managed media Avid willscan the databases, rebuild if required and relink seemlessly. With AMA
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No those database files are just Avids quick look up directory info of the Avid media files in that folder. Normally Avid will rebuild those files automatically if it detects a change in the folders contents. They exist as the scanning and building of those files takes time and would make launching the app very slow on large projects. Deleting them
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My thoughts: The work to blur/digitally obscure all the source footage and digitally process the sound is a massive task and would likley only end up with low quality results as its would be an endless task to do it all at finishing quality. So you will need to go the proxy route and using resolve to make avid proxies with embedded effects could work