Not sure how or why... but after 3 reboots... it seems to work again. If the problem occurs again, I'll troubleshoot it and update this thread with my findings.

I just upgraded to the latest version of AVID (22.7) and I can no longer select multiple keyframes in my audio tracks by pressing "Alt" and then dragging aroun the keyframes I want to select. I used to be able to do this before the upgrade. Now it just selects the clip I drag on. Does anyone know if there is a setting I need to change to get

Does anyone know what LUT to use with the Blackmagic Pocket Cinema 6K Pro or where to download one? I know you can find a lot of free and paid LUTs on the web, but was curious what people are using and finding the best results with?

The new sony a7SIII has the ability to create its own proxy files in addition to the high resolution files while recording... does anyone know if there is a workflow in Media Composer to utilize them instead of transcoding? It would save me a ton if time to attach or connect the sony proxies the camera created instead of creating new proxies in the

I think that was the setting I was looking for! Thank you! I'll give it a try on my next project to see if the problem goes away when I set it before linking/transcoding.

It's an HD 1080p 23.976 fps project in YCbCr color space. The clips were shot in 59.94 progressive. The clips were filmed on a Nikon Z6 with an AVC codec. The source browser shows the Plug-in as: Avid Generic Plug-In -- and the codec as AVC Long-GOP High (HD1080p) when linking it. Do you need a sample clip to try to recreate? Also, I'm using

I'm having an issue where any clips I link (using the source browser) at a different frame rate from my project are set as "Blended Interpolated" instead of "Both Fields" in the motion effect editor. I'd like to set the default behavior to the opposite since all my footage is all progressive. Example: I shot footage at 59

Yeah it is a smaller screen ... Thats likely the problem.

Ahh. That was THE missing piece. :) Thanks for the clarification. It all makes sense now. My DSLR shoots Long GOP (great for efficiency and compression) but it's not good for editing. And DNxHD is short GOP which is more accurate and larger files needed for editing. And the bridge to connect the two is to use larger bitrates in AVID to encode. Right

I had my system specs in the wrong field. Do they show up now? I think I figured out that it was because I was using a computer monitor that it wasn't working. I tried HDMI into a portable LCD screen and it seemed to work... Also I was using the drive suggested above. Not the latest "Beta" one.